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Ana Maria Tavares

1958 —

Shalimar - Desviante Double Dia L (From The Series Hieróglifos Sociais), 2011
Shalimar - Desviante Double Dia L (From The Series Hieróglifos Sociais),
Aluminum Profile, Composite Aluminum Panel, Stainless Steel, Digital Print And Electrostatic Painting 60x111x7 inches
Airshaft XVIII, 2008
Airshaft XVIII,
Digital printing on hahnermuehle photo rag 308g paper, methacrylate and aluminum 53,5 x 94 inches
Dominó I, 2016
Dominó I,
Colored and engraved stainless steel; ACM, anodized aluminum 16x8x3 inches
Dominó III, 2016
Dominó III,
Colored and engraved stainless steel; ACM, anodized aluminum 25x17x3 inches
Dominó XVII, 2016
Dominó XVII,
Colored and engraved stainless steel; ACM, anodized aluminum 8x8x3 inches
IDelight IDeserve IDesire, 2015
IDelight IDeserve IDesire,
Print with mineral pigment ink on paper Hahnemuehle Photo Rag Ultrasmooth 305g 67x47 inches
Sexo E3, 2001
Sexo E3,
Colored and engraved stainless steel; wood, aluminum 37x37x2,7 inches
Sparkling Water G3, 2001
Sparkling Water G3,
Colored and engraved stainless steel; ACM, anodized aluminum 37x75x2,7 inches
Dominó XV, 2016
Dominó XV,
Colored and engraved stainless steel; ACM, anodized aluminum 16x8x3 inches
Dominó XXI, 2016
Dominó XXI,
Colored and engraved stainless steel; ACM, anodized aluminum 24x24x3 inches
Airshaft, 2017
Airshaft,
Photographic Print and Slate Stone 71x27x2,7 inches


Amongst her latest solo shows that are worth mentioned we can find “Ana Maria Tavares: deviating utopias” at the Frist Center for the Visual Arts in Nashville in 2013, “Atlantica Moderna: Purus e Negros” at the Vale Museum, in Vila Velha, Espirito Santo, Brazil, 2014 and “Cárcere duas vozes: Piranesi e Ana Maria Tavares” at the Lasar Segall Museum, São Paulo, 2015. In November 2016 she opened a grand retrospective at the Pinacoteca (the most important contemporary museum in the state of São Paulo), entitled “No lugar mesmo: uma antologia de Ana Maria Tavares”. This exhibition won the prize for best retrospective of the year by São Paulo Association of Art Critics.

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